Learn way more about digital photography than ever!

By: Dan Feildman

Normally our eyes compensate for lighting conditions with different color temperatures. A digital camera needs to find a reference point which represents white. It will then calculate all the other colors based on this white point. For instance, if a halogen light illuminates a white wall, the wall will have a yellow cast, while in fact it should be white. So if the camera knows the wall is supposed to be white, it will then compensate all the other colors in the scene accordingly. Most digital cameras feature automatic white balance whereby the camera looks at the overall color of the image and calculates the best-fit white balance. However these systems are often fooled especially if the scene is dominated by one color, say green, or if there is no natural white present in the scene. Most digital cameras also allow you to choose a white balance manually, typically sunlight, cloudy, fluorescent, incandescent etc. Prosumer and SLR digital cameras allow you to define your own white balance reference. Before making the actual shot, you can focus at an area in the scene which should be white or neutral gray, or at a white or gray target card. The camera will then use this reference when making the actual shot.

Good photos result from the following elements: always having your camera with you; being in the frame of mind that you THINK about taking pictures when a good opportunity presents itself; experience in knowing what the camera can do and can't do, such as how to adjust your camera to compensate for poor lighting conditions or anything else that doesn't happen to be just right; have patience; taking lots and lots and lots of photos- the average professional photographer takes around 120 shots for every ONE that he/she actually uses and gets paid for; and finally, luck.

Understanding how your camera focuses will help you get better pictures. Just about all digital cameras these days have autofocus with two-step shutter release. In dark lighting, you will notice that when you press the button halfway down, a red light appears for a moment, but not in areas that are lighter. Then, when you press the button down fully, there is a flash. When you hold down the button halfway, that focuses the image, and when you depress it fully, the camera takes the focused image. If you want the subject of your photograph not to be in the center but still focused, first center them in the middle of the picture and focus the frame by pressing down halfway. Without removing your finger, reframe the picture with your subject in the right position, and take the picture. Your subject will still be focused. One aspect of taking a pleasing photograph is depth of field. When you look at a picture, you will notice that all the area surrounding the focused subject is also focused. This area is called depth of field. In order to change the way the depth of field in a picture is seen, focused, and lit, you must change the width of your lens. The wider the lens is, the smaller the depth of field will be. To decrease the depth of field you can also move closer to your subject. To increase it, you can use a smaller lens or move further away from your subject.

A few problems that everyone has with their printers can be quite frustrating, running out of ink or something annoying along those lines. Problem: Missing colors or incorrect colors are white and black images, which is often what a photographer does not want to see. I want my picture in color! Solution: Make sure that the settings for ink are correct. You want the ink settings in color format. Renew the inks if the ink is low. Use your cleaners to clean the heads. Check with your manual to learn more! Problem: Smearing and blurring print is one of the most frustrating appearances that come out of a printer. Solution: You want to make sure the type of media is correct. Next, you can verify that the paper is facing up and position correctly. Refer to your user's manual for more details.

Ironically, while cold prolongs the life of the battery, the cold, "slow" battery isn't much good for use - the same process that slows the natural discharge of the battery slows the normal discharge during use, allowing the voltage to drop below usable levels even quicker. So, for batteries that are about to be used, warm storage (for example in a shirt pocket as opposed to a camera bag) speeds up the "metabolism" of the battery and keeps voltage higher longer - giving you more battery life. Common rechargeable batteries that lose a little power a day (often self-discharging in a month) can hold over 90% of their charge for several months if kept frozen. So, long-term cold, short-term warm: Just don't give in to temptation when pulling those batteries from the freezer at the last moment and microwave them to get them in shape - that's a story with a sad, sad ending, as if you're very lucky the battery's chemical storage mechanism will be broken down and the battery ruined. If you're not lucky, you could burn your house down when the battery explodes. You may have recalled hearing somewhere about recharging batteries with microwaves - NASA has worked on exotic batteries recharged by directed microwaves, but both the battery and the microwave are very different from what you have at home.

By now you should know that the key element to your success with taking pictures of any child is to have fun - both you and the Child. Here are some ideas to help all your photographic efforts to preserve these beautiful childhood moments. Use props: You can use props in two ways, for setting a theme, or for playing / eating / etc. Kids love stuffed animals, dolls (girls) and trucks (boys). I prefer to use toys at the later stage of the session, when I need to recapture the child's attention. One thing I recommend is to place the toys out of site until you actually need them, otherwise they can distract the kid's attention. Get real close: Don't be afraid to get real close to the child. Get some nice closeups. You can get an eye only shot, though my recommendation is not to cut the face. Instead try and capture the face with something of the child's world in the background or edge of the picture. Even if the object is not in focus.

These days in news photography you could be selecting that career. This is probably one of the most exciting careers a beginner photographer could embark on. These photographers bring in photos that are current and stay with today's flow of news. The picture should have power and capture the reader's attention. It is difficult to just start being a news photographer, it is better to have some experience in the field. It takes a lot of trial and error to become really good at this field. Here are a couple really good tips: You have to master the art of holding the perfect shot. You have to make sure that you hold the shot longer. You should know how to create intervals for every shot that you take. You should know the story and listen well in your interviews. Ask your reporter for instructions so that you can follow his insight on where he would like to go with the story. Always use a tripod in capturing shots. Many believe that a video camera should be held steadily in place. However, some photographers want to move freely in capturing their shots.

Niche Article Directory: http://www.thatsmyniche.com

Learning Photography has gotten way better in the time it has been here. Having questions about photography? Look over a new report on water in motion

Please Rate this Article

5 out of 54 out of 53 out of 52 out of 51 out of 5 

Not yet Rated